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Cake day: August 8th, 2023

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  • 60% of ByteDance is owned by global investors, most of which are based in the US. 20% is owned by the original co-founders, none of whom have any ties to the CCP, and the remaining 20% is owned by employees, almost all of which are in California. The overwhelming majority of the company is already owned by Americans. This entire thing is all about trying to silence a source of information that challenges and refutes government interests, particularly where Palestine is concerned.




  • It really was a masterwork in that regard. I really see a lot of the creative genius of that era revolving around working around hardware limitations. Metroid II really did make me rethink what the Game Boy was really capable of back then. How it managed to play so well when the Castlevania games struggled to resemble their NES counterparts really told a pretty telling story in its own right.

    Edit: that is a lot of "really"s.











  • King is my favorite author, hands down, but I don’t understand why so many people seem to look down at Koontz. If we’re really being honest, Koontz would be much more well regarded if it weren’t for the fact that he’s so frequently directly compared to King, and Stephen King is a one-of-a-kind, once in a lifetime literary master. Absent the comparison to King, the bulk of Koontz’s work holds up quite well. It’s entertaining writing with relatable characters that are easy for become invested in. Hell, some of his ideas were not only terrifyingly imaginative, they were also oddly accurate predictions of the future. Demon Seed is uniquely chilling in that it was almost comically over the top with its seemingly ridiculous technology that has since very much become a reality.

    I would also argue that Koontz has had a few film adaptations that ended up better than the King adaptations of their time. Phantoms, Watchers, Servants of Twilight, Whispers, Intensity, and Mr. Murder were all pretty great.

    Koontz has a great track record. He simply suffers from living in the shadow of a modern day colossus like King. Absent the comparison, I feel Koontz would be much more favorably viewed.



  • The ultimate conceit is that infinities are a wonderfully engaging concept, but truly comprehending them as a tangible thing is inherently futile. We want to make these comparisons. They do, in some ways, hold some kind of meaningful as a concept, because we like one thing to be bigger or better than the other. But, at the scale of infinity, these comparisons are arbitrary and largely meaningless in any practical way.


  • The mind-bending thing about it is thus: there are an infinite multitude of “you” throughout the multiverse expressing every “you” that could, or even could not, be. However, there are infinitely more realities with no “you” at all. The set of infinities containing an expression of “you” is necessarily smaller than the set of infinities that do not contain an expression of “you” simply owing to the very narrow nature of eventualities required to express “you” into existence. In point of fact, that set if infinitesimal labeled “you” is infinitesimal in comparison to the set labeled “not you”, and yet still uncountable in its infinity.