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Joined 5 years ago
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Cake day: June 24th, 2020

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  • I see most of my faves have already been covered by others, so I’m going to add the Metroid Prime games. Unlike the mainline Metroid games, which are awesome in their own right, the Metroid Prime games are played from a first person perspective.

    You still get to explore, you still get power-ups, but because you can scan almost anything with Samus’ visor, there’s some actual worldbuilding, which the mainline Metroid games didn’t really start doing until Metroid Fusion (which was alright, but Metroid Dread did a better job at worldbuilding, I feel). As for the platform, I played the GameCube versions on the Wii.


  • Good picks, but I don’t think Dark Souls qualifies as a metroidvania. Metroidvanias gate off parts of the map based on what abilities the player has/doesn’t have, whereas Dark Souls blocks off parts of the map simply because you’re missing a key. Also, Dark Souls doesn’t really have ability power-ups with the exception of acquiring the Lordvessel.



  • The quality of the game isn’t why The Crew makes a good target. It’s because it’s made by Ubisoft, which is based in France. And France has some pretty strict consumer protection laws. Were this, say, EA, which is based in the US, the lawsuit would be a non-starter. In adddition to that, France is a part of EU, which means Ubisoft has to comply with EU law in addition to the aforementioned French laws. So if this goes through, they will have to fight this on at least two fronts. The Crew is also a singleplayer game with an online component, which shouldn’t be necessary for the game to function, but here we are.

    So to sum up: the lawsuit is not because people are super passionate for The Crew (though some probably are), but because if you’re going to make an example of a game, your best shot is suing a company which is located in a country with good customer protection laws. The Crew just happened to fit that bill.







  • Yes, that would be one heck of a twist… if they hadn’t revealed Dr. Doom’s identity at Comic-Con. And we don’t even know what the movie will be called, I might add. I think that if Disney was confident in whatever movie it is they’re making, they would have kept RDJ’s involvement on the down-low, to surprise the audience. Instead, they made this big hullabaloo about RDJ coming back.

    Far as I can tell, the casting can be explained in one of two ways:

    • This Dr. Doom is an alternate universe version of Tony Stark. But if this is true, why the heck would they spoil the reveal?
    • Second option is even worse: no alternate universe chicanery. This is MCU’s version of Doom. But that’s just lazy casting.


  • I smell desperation. There’s ten of thousands of actors out there and they decide to re-hire RDJ? It feels like they’re counting on his star power to save their precious Marvel shows and/or movies. It won’t help, of course, because bad casting isn’t why people stopped watching. People are superhero’ed out and yet they’re pumping out Marvel shit like there’s no tomorrow. And I do mean shit, the quality of Marvel movies fell off sharply after Endgame. The talent just isn’t there, man. Stop.